But its incubation had been a long one a Phantom of the Opera remake had been mooted in the last, troubled days of the Laemmle regime, and when new Vice President Charles Rogers took the helm of the front office in 1936 he had intended to make it his first project, with Anatole Litvak due to direct.Ĭlaude Rains’ Phantom, Erique Claudin, was a more plausible, kindly character than previous incarnations of the character – Phantom of the Opera (Universal 1943)Įxcitement over the picture was rife, and Universal began earnestly preparing for the new production in November, 1941. Phantom of the Opera, Universal’s lavish 1943 Technicolor remake of the 1925 Chaney classic, was quite a departure from the studio’s usual classic monsters formula.Ī glittering, sparkling spectacle, even by today’s standards, the film is a full on musical extravaganza, unashamedly showing off its songbird co-stars against lavish sets and stunning camera stunts.
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